DUIR – URA – Druid Cord

DUIR – URA – Druid Cord

by Eibhlean/Owl GryphonSong Clan

Photo of Secretary Eíbhlean

Eíbhlean

Cord work is widely adaptable. One very basic use is for protection. A cord can be made with the intent to protect the wearer from harm. Then, when worn, the cord protects from specific types of harm as the need arises. One caution: these protective cords should only be used when needed, not casually worn day in and day out. They work well when sleeping in an unfamiliar place, or visiting somewhere the wearer is uncertain about.

The truly wonderful thing about the Druid’s Cords is that they are completely Continue reading

Unverified Personal Gnosis, Truth and Imbas

Unverified Personal Gnosis, Truth and Imbas

by Searles O’Dubhain

Thumbnail photo of Searles O'Dubhain.

Searles O'Dubhain

As Amergin White Knee has taught us in the Cauldron of Poesy materials:

"When the Cauldron of Knowledge is turned by divine ecstasy, rather than by human joy alone, its special grace is a gift that transforms a person, who becomes both sacred and knowledgeable, so that their works include miracles, prophecies, judgments and precedents. It is these people who establish the wisdom that guides our knowledge and regulates the forms of our speech. Though this knowledge comes from within a person, its truth and its power is from the gods and originates from outside of a person."

This is one of the main abilities of the Draoithe (Irish Druids) and the Filidh (Irish Vision-Poets) that distinguishes them from all others. It is the knowledge that illuminates and is known as imbas in Irish and is called awen in Welsh/British writings and traditions. Some modern folks term such inspirations as UPG (Unverified Personal Gnosis). This seems to be an attempt to negate prophetic knowledge and inspiration as being only imagined (until it is verified by currently accepted science or through academic logic alone). To apply this term as a blanket to divinely inspired knowledge is to overlook a few truths from that heritage:

In ancient Irish society and tradition, that which was true was considered to have its own power to stand alone in the world or anywhere, to the point that those who heard truth could see its meaning and importance even when it seemed to contradict those things that were supposed to be the “accepted wisdom.”

To this point, it was the Druids and Poets who were seen to be the sources of imbas and the judges of truth in that society. This attitude and basis in that society had an accompanying paradigm saying that no person could be a Druid, Poet or Judge who had ever been demonstrated to have broken the truth and to have presented a falsehood.

Generally, the imbas or awen that was received by a Celtic Seer was seen to be verified in Nature or in the actions/results of the people presented in the traditional tales. If not already a tradition, then  the results of a divine prophecy or a discovered wisdom had to be eventually demonstrated in society by examples or outcomes (remembering that a given for a wise person in Irish Celtic society was that they retained their status and position only so long as they were shown to be true and correct).

As Katheryn Simms observed and stated in her article, the “Poetic Brehon Lawyers,” this idea of truth from imbas bringing real results to the people was not just an Irish or a Welsh notion, but was a pan-Celtic concept:

“The pagan belief that the moment when a judge issued his verdict was an encounter between the human and the divine, and that the will of the gods was outraged by an unjust decision, while just judgements drew down divine blessings, is already testified among the Celts of Gaul in the first century B.C. where Strabo remarks that the druids were chiefly trusted to try cases of homicide, and that when there is an abundance of these they consider that there is also abundance of the land, presumably because their many just judgements drew down the gods blessing on the crops. “

Imbas is not a free ride. It has to be demonstrated to be true wisdom from the gods. Such inspiration and universal truth is not unlike Einstein’s brilliant understanding about the ways in which matter and energy are related. The truth of it came to him in a flash and he spent years (if not the rest of his lifetime) proving and expanding upon this insight. I expect that ancient and modern druids also do the same with their own knowledge that is received from the minds of the divine. It is not enough to receive the revelation; one must also do the work of bringing the new truths back to the people in a useful and relevant way.

Being true and wise is wonderful but one must also be useful and productive. That is why the demonstration of imbas is to be found in the results that grow from its seeds rather than in claims or even discussion. The tales are filled with how prophecy and the uncovering of hidden things is accomplished or demonstrated to be true. These tales formed the basis of society’s codes of living and morals to the point that prophecy and divine truth were considered to be usual rather than exceptional (or to be challenged as untrue out of hand, as is often the case in our more disillusioned and skeptical modern society). The use of the term UPG, a classification and claim that something is merely made up or an illusion, as a club nowadays to quash inspirations and unusual wisdom to the point that thinking remains within the confines of accepted wisdom, is also a great wrong. Society must continue to advance in its life or it risks the death of stagnation and rot that accompanies the imprisonment of any idea or material thing. Innovation and inspiration deserve open fields upon which to exercise their creative truths to the benefit of all. To keep these in a box only makes for humus and decay, to the point that only nature in her long-term laboratory can transform them into anything new or renewed.

So, let’s rejoice in imbas and rather than calling it UPG, let’s get up and go out into the great laboratories of existence, science, and Nature, to ascertain what the power of truth has uncovered for us via inspiration and knowledge provided to us by the gods. It is only through the verifiable and proven results that we should be known as druids and not by our own or anyone’s claims, or even the acclamations of others, for there really is a truth against the world. Sometimes, one must journey far to find it and bring it back to the people and the lands where life is lived.

-SO

Keltria Journal -Storytelling: Life Viewed Through a Mythic Lens

EXCERPT

Storytelling:  Life Viewed Through a Mythic Lens

by Daphne Bishop

Photo of a Thatched cottage by Irish Sea

Niarbyl - Thatched cottage by Irish Sea Photo by Joseph Mischyshyn via Wikimedia Commons Creative Commons Attribution-Share Alike 2.0 Generic license.

At the beginning of [amazon_link id="0500270392" target="_blank" ]Celtic Heritage[/amazon_link], the historians Alwyn Rees and Brinley Rees take us into the southwestern Kerry cottage of a traditional Irish storyteller. They describe him as he relates a series of heroic tales, anecdotes, proverbs, rhymes and riddles. He is a “literary artist,” one who has memorized hundreds and hundreds of tales and yet cannot read or write English. His words draw neighbors and friends who visit continuously, sometimes in groups. They sit by the man’s hearth, listen attentively and never interrupt a story in progress.

A hundred years later, in South Africa’s infamous Robben Island prison, a group of apartheid-era prisoners fights for the right to read, write and study. Among them is Nelson Mandela, who will spend twenty-seven years of his life behind bars. His comrade, Sonny Venkatrathnam, is eventually granted the right to one book. After talking it over with his fellows, he chooses the complete works of William Shakespeare, a volume whose tales reverberate with markedly similar political struggles. The poetic words depict the anguish of injustice and untimely death, but also resonate with transcendent themes of human endeavor and triumph. Throughout the bitter years of imprisonment, Shakespeare’s stories, which were composed centuries earlier and in a very different milieu, provide inspiration, intellectual stimulation and hope.

We live in a society that is disconnected from its stories. We inhabit a world severed from the richness of its cultural heritage. Fairy and folktales, myths and sagas that were once taught in schools and formed part of our cultural currency have been forgotten. While many of the earliest scholars who retrieved, preserved and disseminated these stories, especially the English, dismissed them as superstitious and primitive, some modern critiques have been equally harsh. Myths and fairy tales are reduced to stereotypes or, even worse, are too offensive to teach at all.

Millions of Americans are descendants of the six surviving Celtic cultures, yet how many are familiar with the legacy of epic tales, the songs, poetry and wisdom texts that permeated the culture of their forebears? How many realize the marvelous Celtic antecedents of the Arthurian myths, which are arguably the seminal myths of Western Europe, and continue to be retold and reinvented in ever more fascinating ways?

Continued...

[This excerpt is from a three-plus page article was published in Keltria: Journal of Druidism and Celtic Magick, Issue #42.  It is available in its entirety to members of the Henge of Keltria until the next issue of the Journal is published via the Members Home page.  It is available to the public in both electronic and print form via Mag Cloud.]

Edge of November

Edge of November

by Karl Schlotterbeck

[Archdruid Karl provides inspiration in a poem/song called “The Edge of November.”  There is an on-line version of the music at http://www.keltria.org/Sounds/The_Edge_of_November.mp3 where Karl provides both voice and accompaniment (guitar).] 

He’s things to do in his work-a-day world,
Entranced by computer screens.
Flat images show him another flat scene
But they are not what they seem.
So he says good night to his co-workers there -
For a moment he actually cares;

Then off he drives in his fashion machine.
He’s got places to go and be seen.
He makes his way home on the crowded flat road
Absorbed in his thoughts and dreams
Till he comes to his house and parks his car
And hears the whispering leaves say:

Chorus

Everything’s alive
And dressed in its disguise;
There’s light within the dark
And masks that hide the eyes.
Each one with a tale to tell:
Our friends and kin beyond the veil.

But he’s things to do and he turns away
And walks to his house alone.
Unlocks the door and checks his phone
Lights the pumpkin on the sill
He turns on the light to invite them all in
As something stirs within.

The children come, he shares their joy
His worries they all die.
He sees the shining light in their eyes
Behind the shadowy masks.
As he turns to the flickering light in the glass
The voices come and ask: Isn’t. . .

Chorus

{Bridge Spoken}

As the rays of the rising moon
Penetrate his lonely gloom
He surrenders to the voiceless choir
And once more feels that spirit’s fire.

He went next morning to his work-a-day world
On the first day of November.
He hummed a strange uncanny tune
And decided to remember:
He has friends in the fire and a light in the dark
And a sister in the Moon.

Chorus

[Ed note:  An audio of this song is available here.]

-------------


Books by Karl Schlotterbeck

[amazon_enhanced asin="B009CMUXV8" /][amazon_enhanced asin="0595258786" /]

Review: Celtic Visions

Celtic Visions: Seership, Omens and Dreams of the Otherworld

by Caitlin Matthews

Reviewed by Autumn Rose

Celtic VisionsTypically for this author, Caitlin Matthews’ newest book is a blend of information and practical suggestions.  On the information side, she gives us nine meaty chapters describing and interpreting the psychic practices of our druidic Irish and Welsh ancestors.  The descriptions go well beyond dictionary definitions and are illustrated by quotations mostly from original sources.  In addition, Matthews offers in some cases interpretations not previously encountered by this reader.

For example, she touches on the corrguinnacht, the crane posture.  In this posture the practitioner stood on one foot, with one hand raised and one eye closed, while performing a spell.  According to Matthews, the aim was to “cancel” one side of the body in the physical world so that it could appear in the Otherworld, thus allowing the practitioner to exist in both realms simultaneously.

Another such interpretation involves the ancient Irish custom of imposing geasa, or taboos.  Matthews describes geasa as soul contracts, designed to protect the soul for as long as the contract was not broken.  If the person in question was a king, the protection extended to his kingdom.  Violations of geasa chipped  away at the soul, and successive violations weakened it progressively.  Thus, in the tales of Cú Chulainn and of Conaire, when each had violated all his geasa, he became vulnerable to death.  It’s interesting to note that this interpretation links the strength of the body to the integrity of the soul.  In the case of a king, again, the health of his soul determined the health of the land.

Beyond these and other explorations of ancient Celtic psychic beliefs and customs (e.g., the bull ceremony , the Three Cauldrons, poetic inspiration and so on), Matthews seeks to help readers adapt these customs for personal use today.  To quote the author herself, “This book will not make you a seer, but it will help you become better attuned to your instincts, imagination,  insight, and inspiration.”  When an author makes a claim like this for his or her work, it should always be understood that fulfilling the promise depends almost entirely  on the effort the reader/practitioner puts into it.  Reading the book is not enough by itself.  Nobody gets from Point A to Point B by reading a map.  One has to undertake the journey.

Matthews gives the reader plenty of help along the way.  At the end of each chapter she provides a suggested exercise intended to put the practitioner in closer touch with both the proximate world of Nature and the Otherworld.  For example, after the chapter titled “Omens and Divination” she shows how readers, by habitually observing their natural surroundings and noting events that follow, may learn to recognize omens that can inform and guide them.

The icing on the cake of this book is a pronunciation guide---always a gift to those not versed in Old Irish.  I recommend Celtic Visions, especially to beginning students, for its wealth of  information and  its usefulness as a guide to personal development.

[amazon_link id="1780281110" target="_blank" ]Celtic Visions: Seership, Omens and Dreams of the Otherworld[/amazon_link]

  • Hardcover: 242 pages
  • Dimensions: 7.5 x 5 inches
  • Publisher: Watkins Publishing, 2012
  • ISBN: 978-1-78028-111-7

Prayer for Self-Knowledge

Prayer for Self-Knowledge

by Autumn Rose

(Deity name), my (Matron/Patron), You who guide, inspire and support me, I ask You to help me to know myself.  As with all beings, it is my duty to perfect myself.  I am enjoined to increase my virtues and strengths and to correct  my faults and weaknesses day to day, year to year, life to life.  I ask You to show me the hidden places of my soul.   Reveal to me my secret faults, fears and motivations, that my efforts at self-improvement may proceed rom a foundation of reality, not of illusion.

So be it.

 

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